Another awesome poem I found:
Don't tell me you've never dreamed of this –
of waking in a room with a wide open window,
the air clear and ringing after night rain;
of needing no other reason than a sky
the unbelievable blue of which
sends you flitting deftly through the house
past the year-old jar of nails and flies,
the pile of dishes in the sink, and out the back door
where you're caught for an instant in the brightness
because the future's so much easier than you'd thought –
slipping your heart under the rosebush like a key,
everything you need in the canvas bag
resting lightly at your hip
and life as simple as turning left or right.
"As I Walked Out," Esther Morgan
Love the language in this poem! It's strangely calming and I like how it emanates this strong sense of possibility and hope. My favorite line is "slipping your heart under the rosebush like a key," that's some really great imagery in my opinion.
Wednesday, April 3, 2013
Monday, April 1, 2013
Survey
My survey for computer apps, give it a go if you want. The theme is school/what you do on a typical weekday.
http://tinyurl.com/tinacompappssurvey
http://tinyurl.com/tinacompappssurvey
To Be of Use-Marge Piercy
Stumbled across this poem by Piercy, an excellent modern poet in my opinion. Here's on of my favorites:
"To Be of Use"
by Marge Piercy
The people I love the best
jump into work head first
without dallying in the shallows
and swim off with sure strokes almost out of sight.
They seem to become natives of that element,
the black sleek heads of seals
bouncing like half-submerged balls.
I love people who harness themselves, an ox to a heavy cart,
who pull like water buffalo, with massive patience,
who strain in the mud and the muck to move things forward,
who do what has to be done, again and again.
I want to be with people who submerge
in the task, who go into the fields to harvest
and work in a row and pass the bags along,
who are not parlor generals and field deserters
but move in a common rhythm
when the food must come in or the fire be put out.
The work of the world is common as mud.
Botched, it smears the hands, crumbles to dust.
But the thing worth doing well done
has a shape that satisfies, clean and evident.
Greek amphoras for wine or oil,
Hopi vases that held corn, are put in museums
but you know they were made to be used.
The pitcher cries for water to carry
and a person for work that is real.
"To Be of Use"
by Marge Piercy
The people I love the best
jump into work head first
without dallying in the shallows
and swim off with sure strokes almost out of sight.
They seem to become natives of that element,
the black sleek heads of seals
bouncing like half-submerged balls.
I love people who harness themselves, an ox to a heavy cart,
who pull like water buffalo, with massive patience,
who strain in the mud and the muck to move things forward,
who do what has to be done, again and again.
I want to be with people who submerge
in the task, who go into the fields to harvest
and work in a row and pass the bags along,
who are not parlor generals and field deserters
but move in a common rhythm
when the food must come in or the fire be put out.
The work of the world is common as mud.
Botched, it smears the hands, crumbles to dust.
But the thing worth doing well done
has a shape that satisfies, clean and evident.
Greek amphoras for wine or oil,
Hopi vases that held corn, are put in museums
but you know they were made to be used.
The pitcher cries for water to carry
and a person for work that is real.
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